Doug's Bio 
My photographs are matted so as to complement the work, and then
framed with hardwood frames to add to the photo, not overwhelm or take away from
it. Frames are individually constructed for each photograph. I use no commercial
frame stock, so each one is a little different from any other. Heavily figured
woods, such as bird’s eye maple, curly red birch, wavy cherry and walnut from
both the east coast forests and the plains of the Midwest, make up just part of
the available materials. There are no metal cleats in my frames; rather I choose
to use a corner spline of contrasting-colored wood to reinforce my frames.
The shadow hours around the rising and setting sun and moon have a
special feeling about them. Fog also somehow seems to enhance many visuals.
While a clear blue sky makes us feel alive, often a cloud or two adds something
to a photograph. By the time the sun is high, I usually put the cameras away. I
like the quiet times when the light is more ethereal. That preference is clearly
exhibited in the photographs you'll see in my studio.
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